5,695 Royalty-Free Audio Tracks for "Filed Recording"

Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.

This choro music shows the typical improvisation style of the choro players. The music is a variation of the ancient folk theme of northern part of Rio de Janeiro state called "Dança da Urubu" also called "Urubu Malandro", "Samba do Urubu" or "O Urubu e o Gavião". Flute: Pixinguinha (recorded in 1930).Português: Esta gravação mostra o típico estilo de improvisação do choro. A música é uma variação da música folclórica chamada "Dança do Urubu", oriunda do norte do Estado do Rio de Janeiro. Em 1914 foi gravada pela primeira vez a música, com o nome de "Urubu Malandro", pelo chorão conhecido como Louro. Pixinguinha, em 1930 gravou com sua flauta esta variação, com o nome de "O Urubu e o Gavião"

O Tannenbaum, an 1824 German Christmas carol written and with music arranged by Ernst Anschütz using a traditional folk melody as his basis. Performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. This recording includes the first verse in German, followed by an English translation. CSM Debra L. McGarity O Tannenbaum (Mon beau sapin) interprétée par le chœur de l'armée américaine (U.S. Army Band). Basée sur un chant traditionnel allemand, elle est devenue depuis le début du XXe siècle un chant de Noël associé au traditionnel sapin de Noël. Українська: «О ялиночко!» (O Tannenbaum) — німецька різдвяна колядка у виконанні хору армійського оркестру США «Pershing's Own». Эрзянь: "O Tannenbaum" ("О, куз" эли "Роштувань Чувто") конань моры "Pershing's Own" АВШ-нь ушмовиень оркестрась. Моронть юрокс ашти немецень раськень эськоень моро, сон теевсь XX пингеньть ушодомонтень Роштувань ине морокс, кона сюлмазь Роштувань чувтонть марто. العربية: "أغنية O Tannenbaum" (يا شجرة الميلاد) من أداء جوقة الجيش الأمريكي ("Pershing's Own")، وهي مشتقة من أغنية تقليدية ألمانية، أصبحت إحدى أغاني ميلاد يسوع مرتبطةً بتقليد شجرة الميلاد منذ بدايات القرن العشرين. Čeština: "O Tannenbaum", německá vánoční koleda, vzniklá na základě tradiční německé lidové písně se z počátku 20. století v podání amerického armádního sboru "Pershing's Own".

March of the Chamber of Deputies of the Ottoman Empire; the original Turkish lyrics are below (only verses 1 and 3 are in this recording): Türkçe: Osmanlı Meclis-i Mebusan'ın marşı; orijinal Türkçe marş sözleri aşağıdadır (sadece 1. ve 3. mısra bu kayıtda vardır): Lyrics Osmanlılar bugün oldu muzaffer, Fethetti yeniden vatanı asker, Açtı mebuslara yolu süngüler, Yaşasın Niyazi, yaşasın Enver! Gökyüzünde şühedanın hayali, Alkışlıyor sanki ruhi Kemali Ah, ölmeden görmeliydi bu hali, Kıymetli, muhterem vatanperver, Al bayraklar bulutları sarıyor, Şenliğimiz asumana varıyor, Mazlumlara, zalimler yalvarıyor, Hey Allah'ım bu nasıl ruzi mahşer? Uyan Midhat, uyan geldi zamanın, Tutsun dünyaları şöhret ve şanın, Sen bulun önünde şu Mebusanın, Artık yaşa evladınla beraber.

*Amicus No.: 31385055 Performer Heading: Jarvis, Harold (Harold Augustus), 1864-1924 Performer: Harold Jarvis, tenor with orchestra Title: O Canada : Canadian national hymn [sound recording] / [A.B. Routhier, lyrics] ; [Acton, Jas, transl.] ; [Calixa] Lavallée, music Composer Heading: Routhier, A. B.; Lavallée, Calixa,; Acton, Jas Generic Label: Berliner Transcribed Label: Victor Numbers: Issue no.: 5517; Miscellaneous no.: 2 Notes: Distributor: Berliner Gram-O-Phone Co., Montréal Manufacturer: Berliner Gram-O-Phone Co., Québec (Province) Recorded: Camden, NJ, Victor Talking Machine Released: [1 Aug 1908] Issue Type: primary label Comments: Single sided disc; sales/use/price licence appears across top of label; HMV symbol on label; "His Master's Voice"; patented 1897, 1908; Victor Talking Machine Co. matrices, sales/use licence in Canada only, appears arcing as a single-line across bottom of label. Title of Acton's translation : O Canada, beloved fatherland, copyrighted 1907, by The Home Journal, Toronto. Discographical reference: disc; Encyclopedia of Music in Canada, 1992, composer/lyricist; The Toronto Daily Star, release date, release year Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; Chansons patriotiques Location: 78/10 20,341 Website location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31385055

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.

December Makes Me Feel This Way ("Joy to the World") performed by the Airmen of Note of the United States Air Force Band. Track 6 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*

Good King Wenceslas and His Merry Band performed by the Airmen of Note of the United States Air Force Band. Track 1 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*

Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*

Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.

An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] This is an edited version: speed and pitch have been corrected to reflect Édouard-Léon's voice, noise was removed. Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Cette version a été éditée de manière à mieux refléter la voix de Scott de Martinville : la vitesse a été réduite, la tonalité a été baissée et le bruit a été réduit

Label: L'Anthologie Sonore Cat. no.: FA 805 B Order number: JF 7 / M3-102732 Matrix/StamperID: JF 7-1 / M3-102732 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. Récit de Bastien: He quoi? tu ris de ma prière; Duo de Bastien et Bastienne: Va, berger perfide Genre(s): Opera terminology Comments:

Label: L'Anthologie Sonore Cat. no.: FA 805 A Order number: JF 1 / M3-102726 Matrix/StamperID: JF 1-1 / M3-102726 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. 9. Air de Bastien: Oui, da! je ris de tes outrages; Air de Bastienne: Il n'est besoin que d'un sourire Genre(s): Opera terminology Comments: -

I combined an ambient bar crowd recording that i found here with a funky little back beat that i also found on this site and made a great cubicle noise blocker / filter. I use this at work with headphones on when i'm trying to concentrate and drown out conversations in the office. Also good for when i work from home and i'm trying to drown out the tv and other distractions. The crowd noise is excellent at diffusing regular office conversation and the little funky back beat keeps the crowd noise from getting boring. This works really well even at fairly low volume i. E. You dont have to crank it loud to drown out the distractions. Hope you like it and thanks to everyone for the great sounds on this site. Combination of the following two files - yet another bar crowd - june 2007. Wav (lonemonk)hip hop. Wav(ls)ps - i purposely let the crowd noise run out for a few seconds at the end so that you can appreciate the full groove of the hip hop. Wav. Has a nice effect when you loop the whole thing, gives you a little break from the crowd noise. Almost like you're stepping out of the room for a second.

O Christmas Tree performed by the Airmen of Note of the United States Air Force Band. Track 5 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.

We Three Kings performed by the Airmen of Note of the United States Air Force Band. Track 7 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Go Tell It on the Mountain performed by the Airmen of Note of the United States Air Force Band. Track 19 from A Holiday Sampler (2009). Track 1 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Hark, the Herald Angels Sing performed by the Airmen of Note of the United States Air Force Band. Track 4 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Čeština: Skladba Au clair de la lune (Za svitu luny), nahraná Édouardem-Léonen Scotem de Martinville v roce 1860, je považována za historicky nejstarší zvukovou nahrávku vůbec. Македонски: Песната На месечевиот сјај (Au clair de la lune) снимена од Едуар Леон Скот де Мартенвил во 1860 г. Се смета за најстарата постоечка звучна снимка во историјата. Fragment popularnej francuskiej piosenki Au clair de la lune (pol. W świetle księżyca) zarejestrowany jako fonautogram w 1860 roku przez Édouarda-Léona Scotta de Martinville'a, który uznawany jest za najstarsze istniejące nagranie ludzkiego głosu.

Vedi! Le Fosche from Il Trovatore performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 6 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*

Brindisi from La Traviata performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 7 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*

Votre Toast ("The Toreador Song") from Carmen performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 11 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*

Tiếng Việt: Tiến Quân ca, quốc ca Việt Nam. Trình bày và thu âm bởi Đoàn Ca múa quân đội, Quân đội Nhân dân Việt Nam. Sáng tác bởi Văn Cao. Xin lưu ý rằng gia đình nhạc sĩ Văn Cao vào ngày 15 tháng 7 năm 2016, đã hiến tặng bài Tiến quân ca cho nhân dân và Tổ quốc Việt Nam. Bộ Văn hóa, Thể thao và Du lịch là cơ quan quản lý bài Tiến quân ca theo quy định pháp luật về quyền tác giả và các quyền liên quan về bản quyền. Lễ tiếp nhận được tổ chức tại Tòa nhà Quốc hội Việt Nam. Vì vậy, đây là tác phẩm công chúng và không thuộc sở hữu của bất cứ cá nhân hoặc tổ chức nào. Mọi hành vi xóa bỏ tác phẩm hoặc đánh dấu bản quyền với tác phẩm này là hành vi xâm phạm bản quyền, ngăn chặn, cản trở phổ biến quốc ca Việt Nam, trái với pháp luật Việt Nam kể từ ngày 1 tháng 1 năm 2023. Tiến Quân ca is the national anthem of Vietnam. This version was recorded by the Military Band of Vietnam People's Army. Van Cao was the author of the anthem. Please note that, Tiến Quân ca was donated to the people of Vietnam, and to the Government of Vietnam at the National Assembly of Vietnam on 15 July 2016 by the family of the author, in which the Ministry of Culture, Sports and Tourism became the management board of the anthem. Therefore, the anthem is now a public domain work and no personnel or organisations have the right to own the anthem, which means that the anthem does not require licenses to distribute on any platform, including Wikipedia. Any act of removing the anthem, banning the anthem from public distribution, or claiming the copyrights/licenses of the anthem is illegal, according to the Law of Vietnam and the Constitution of Vietnam.

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 4th Movement (Part 1) Finale (Allegro molto) 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

88 piano keys, long natural reverb: up to 13 seconds per note. This is me giving back. I love freesound. You guys saved my bacon back in the day. Recently i searched for free piano notes for a game i'm making, but the only ones i could find ended too quickly. I need long reverb! luckily i have an old piano, so i made my own. So this is me giving back. This is an old piano!!!. We had the piano tuned a year ago, but it is well over 60 years old, so be warned! these notes have character! if you want perfect tone, either edit them individually, generate something artificially, or buy a professional set. But if you want a piano with personality, this is for you. Being an old piano, it only has 85 keys. So i created the highest 3 notes by speeding up previous notes, to make the modern standard 88 keys. How the notes were created. The notes are created on an old (well over 50 years) steinhoff upright piano. It only has 85 keys, so i faked the highest 3 keys by taking previous keys and changing their pitch. I opened the top, balanced my trusty everesta bm-800 condenser microphone across the top near the high note end, and held down the "loud" pedal. Each note was then hit and kept pressed down until i could no longer hear any reverb. Notes were saved as mp3 using my laptop, using free sound recorder on the highest quality settings. Yeah, i know it isn't flac, but i am strictly amateur with budget to match, and that was the best i could do. After that, all editing was of course uncomopressed until the final save. How the notes were edited. Editing was kept to a minimum, mainly to enhance the reverberation. All editing took place on audacity on linux mint. First i cropped any silence from the start. Next, used the envelope function to gradually increae volume to 200% over a couple of seconds. That is, the quietest part of the reverb is twice as loud as you might expect. Because for my game i sometimes need a single piano key to last ten seconds. Next i maximised the volume. If there was just a single stray waveform that stuck out then i reduced that by 2db or so then maximised again. Because like i said, i want to hear that reverb! i then found the part where background noise starts to be noticeable, and faded out over 1 second or so. This meant that the lowest notes had as much as 13 seconds of reverb, whereas the highest notes might only have 2 or so. Finally i checked the result, and edited three or four notes that i felt were just too ugly (badly tuned, or for some reason the software suddenly got hissy when the note became too quiet. Weird. ) i also slightly changed the pitch of a couple of notes that were slightly out of tune but otherwise ok. No doubt a better ear than mine could teak all of the notes. But as i said, it's an old piano and we're keeping it real. Finally, files were compressed to ogg at the highest quality setting, using soundkonverter. Why not flac?. I live in the countryside with very slow broadband, so i apologise for including more of the original files. But as it was, uploading this zip file took about an hour. Enjoy. Legal. Use this for anything you want, commercial or not, credit me or not. Consider it public domain. My main concern is that i had completely legal sound for my game, with nice long reverb and character. Uploading it here provides proof that i created it first, just in case anybody comes back and says "those are mine" (it happens).

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 3) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 1st Movement (Part 2) - Allegro con brio 1st release date: 1935 1st recording date: 7 Septemper 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 2) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Tiến Quân ca is the national anthem of Vietnam. This version was recorded by (likely to be) the French Far East Expeditionary Corps (Corps Expéditionnaire Français en Extrême-Orient, CEFEO). Van Cao was the author of the anthem. Please note that, Tiến Quân ca was donated to the people of Vietnam, and to the Government of Vietnam at the National Assembly of Vietnam on 15 July 2016 by the family of the author, in which the Ministry of Culture, Sports and Tourism became the management board of the anthem. Therefore, the anthem is now a public domain work and no personnel or organisations have the right to own the anthem, which means that the anthem does not require licenses to distribute on any platform, including Wikipedia. Any act of removing the anthem, banning the anthem from public distribution, or claiming the copyrights/licenses of the anthem is illegal, according to the Law of Vietnam and the Constitution of Vietnam. Tiếng Việt: Tiến Quân ca, quốc ca Việt Nam. Trình bày và thu âm bởi (có thể là) Quân đội viễn chinh Pháp vùng Viễn Đông (Corps Expéditionnaire Français en Extrême-Orient, CEFEO). Sáng tác bởi Văn Cao. Xin lưu ý rằng gia đình nhạc sĩ Văn Cao vào ngày 15 tháng 7 năm 2016, đã hiến tặng bài Tiến quân ca cho nhân dân và Tổ quốc Việt Nam. Bộ Văn hóa, Thể thao và Du lịch là cơ quan quản lý bài Tiến quân ca theo quy định pháp luật về quyền tác giả và các quyền liên quan về bản quyền. Lễ tiếp nhận được tổ chức tại Tòa nhà Quốc hội Việt Nam. Vì vậy, đây là tác phẩm công chúng và không thuộc sở hữu của bất cứ cá nhân hoặc tổ chức nào. Mọi hành vi xóa bỏ tác phẩm hoặc đánh dấu bản quyền với tác phẩm này là hành vi xâm phạm bản quyền, ngăn chặn, cản trở phổ biến quốc ca Việt Nam, trái với pháp luật Việt Nam kể từ ngày 1 tháng 1 năm 2023.

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 1) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Una Voce Poco Fa from Il Barbiere Di Siviglia performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 10 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*

Soave Sia Il Vento from Cosi Fan Tutte performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 9 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*

This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .

hey everybody, let's just get up and dance''. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Step, Wav, Foot https://freesound.org/people/raffs03/sounds/264890/ Footstep Raffs Freesound.org https://freesound.org/ freesound_org_ab3f16c3283f7e41c53d303310b5958e71ee630b ./freesound/264890__raffs03__footstep.flac flac ab3f16c3283f7e41c53d303310b5958e71ee630b Single foot step from the floor. . Public domain https://creativecommons.org/publicdomain/zero/1.0/ Drop, Bottlecap, Botte Cap https://freesound.org/people/Tokyoshowdown/sounds/264891/ Bottle Cap Drop Tokyoshowdown Freesound.org https://freesound.org/ freesound_org_0d2a6e1e9f81f2c36e8ab31a6a36c16a09ddbe6e ./freesound/264891__tokyoshowdown__bottle-cap-drop.flac flac 0d2a6e1e9f81f2c36e8ab31a6a36c16a09ddbe6e Bottle cap dropped on pavement. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Chink, Wind Chimes, Melt Water, Ice, Melt, Snow https://freesound.org/people/kvgarlic/sounds/264860/ Icefallingfromtreefebruaryst Kvgarlic Freesound.org https://freesound.org/ freesound_org_cd308336109e7b8be81f2c5832f947c658c2d575 ./freesound/264860__kvgarlic__icefallingfromtreefebruary21st2015.flac flac cd308336109e7b8be81f2c5832f947c658c2d575 Ice falling from trees. . . With a background of various birds including starlings, house finches and cardinals. Recording made with the marantz pd661 with the oade brothers pre-amplifier modification. Microphones: samson co-2 matched stereo microphone. At the very beginning you hear wind-chimes. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Open, Close, Vehicle, Taurus, Trunk, Car https://freesound.org/people/Tokyoshowdown/sounds/264892/ Car Trunk Tokyoshowdown Freesound.org https://freesound.org/ freesound_org_f26396ee4537e603ce670d8f6449b728541eb792 ./freesound/264892__tokyoshowdown__car-trunk.flac flac f26396ee4537e603ce670d8f6449b728541eb792 Opening and closing of ford taurus trunk. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Khz, Countdown, Pop, Tone, Pop, Beep https://freesound.org/people/Macfalcon/sounds/264897/ Pop Macfalcon Freesound.org https://freesound.org/ freesound_org_72be2e9e6254cb56409a9c4eea0b420699b2a928 ./freesound/264897__macfalcon__2-pop.flac flac 72be2e9e6254cb56409a9c4eea0b420699b2a928 1khz tone (-20 dbfs) length of 1/30 of a second (one frame) every second for ten seconds. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Open, Close, Taurus, Car, Glove Box, Glovebox, Rummage https://freesound.org/people/Tokyoshowdown/sounds/264893/ Glove Box Tokyoshowdown Freesound.org https://freesound.org/ freesound_org_9c82053bcd1f7f6bd8e7378795731e37b3360f50 ./freesound/264893__tokyoshowdown__glove-box.flac flac 9c82053bcd1f7f6bd8e7378795731e37b3360f50 Opening and closing of glovebox in ford taurus with rummaging around. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Bass, Lfo, Wobbles, Low, Dubstep, Free Bass, Edm, Effect, Dub, Wobble, Sub https://freesound.org/people/conaticsedm/sounds/264902/ Bass Pack Cygni Bass Conaticsedm Freesound.org https://freesound.org/ freesound_org_887465d4a2f2ba1b72b70a07aa224f568a27c655 ./freesound/264902__conaticsedm__cygni-bass.mp3 mp3 887465d4a2f2ba1b72b70a07aa224f568a27c655 This is a free bass sample by conaticsedm. Soundcloud. Com/conatics. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Pro Mod, Race Car, Drag Race https://freesound.org/people/akdanie/sounds/264913/ Drag Race Vehicles Pro Mod Idle Akdanie Freesound.org https://freesound.org/ freesound_org_a9c3e86f824fc577f1c400db14ac5b299da33f9a ./freesound/264913__akdanie__pro_mod_idle01.flac flac a9c3e86f824fc577f1c400db14ac5b299da33f9a Idling pro mod race caraudio ripped from hv40 video using premiere pro cs6taken at alaska raceway park. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Tape, Electrical, Video, Glitch, Machine, Vhs https://freesound.org/people/Sassaby/sounds/264935/ Vhs Glitch Sassaby Freesound.org https://freesound.org/ freesound_org_570f97f23aac5f67ac71af65fa308ed47c79c8b6 ./freesound/264935__sassaby__vhs-glitch.flac flac 570f97f23aac5f67ac71af65fa308ed47c79c8b6 A glitch in a vhs tape as it reaches the end of the recorded material. Recorded directly from the vhs player to my laptop using an rca cable. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Technology, Buzz, Static, Machine, Vhs, Start Up, Electric https://freesound.org/people/Sassaby/sounds/264934/ Vhs Startup Sassaby Freesound.org https://freesound.org/ freesound_org_5599172ce356c0c4a8f981799c99acbc30aa2acf ./freesound/264934__sassaby__vhs-startup.flac flac 5599172ce356c0c4a8f981799c99acbc30aa2acf Sound of a video starting to play in a vhs player. Good static sounds. Recorded out of the vhs player into my laptop using an rca cable. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Chords, Bpm, Untitled, Soundcreation, Loop https://freesound.org/people/matze73/sounds/264941/ Filterloop Matze Freesound.org https://freesound.org/ freesound_org_05b04aaf3abe8f819379c54a6185f03373ae9be4 ./freesound/264941__matze73__filterloop.flac flac 05b04aaf3abe8f819379c54a6185f03373ae9be4 This is a snipet i made from a lawn mover sample (you cant hear it anymore)10bars @140bpm(reaper, reasamplomatic5000, rez3 filter). Public domain https://creativecommons.org/publicdomain/zero/1.0/ Name, Tag https://freesound.org/people/gerudobombshell/sounds/264943/ Kelinthemix Gerudobombshell Freesound.org https://freesound.org/ freesound_org_030c327c893f30a7165d27a814298d692c029e6f ./freesound/264943__gerudobombshell__kelinthemix.flac flac 030c327c893f30a7165d27a814298d692c029e6f Tag for 'kel' to put over his songs. Public domain https://creativecommons.org/publicdomain/zero/1.0/ School, Chalkboard, Spelling, Chalk https://freesound.org/people/fattirewhitey/sounds/264944/ Chalk On Chalkboard Fattirewhitey Freesound.org https://freesound.org/ freesound_org_a6fe407eaf43ecaf34113f1d44e8c48f4229a5c1 ./freesound/264944__fattirewhitey__chalk-on-chalkboard.flac flac a6fe407eaf43ecaf34113f1d44e8c48f4229a5c1 This is a brief sample of writing with chalk on a chalkboard. It was created for a voiceover project i was working on feb. 24th, 2015. It was recorded with an akg c-214 large diaphragm condenser mic going into a focusrite 2i2. It was recorded and edited on adobe audition cs6 and uploaded as a. Wav file. Public domain https://creativecommons.org/publicdomain/zero/1.0/ White, Marker, Board, Erase, Paper, Draw, School, Classroom, Dry https://freesound.org/people/fattirewhitey/sounds/264945/ Marker On Board Fattirewhitey Freesound.org https://freesound.org/ freesound_org_5a37626d14b64ea210f3d4622f40f50381c6a24d ./freesound/264945__fattirewhitey__marker-on-board.flac flac 5a37626d14b64ea210f3d4622f40f50381c6a24d This sound is a felt marker on a slick piece of cardboard. It was recorded in my studio for a voiceover project i was working on feb. 24th, 2015. It was recorded using an akg c-214 condenser microphone and focusrite 2i2 interface. I used adobe audition cs6 to record and edit. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Answer, Spell, Reveal, Magic, Right, Chimes https://freesound.org/people/renatalmar/sounds/264981/ Sfx Magic Renatalmar Freesound.org https://freesound.org/ freesound_org_5ec5d98858e456b6203db4749d5e7fc6be6890bc ./freesound/264981__renatalmar__sfx-magic.flac flac 5ec5d98858e456b6203db4749d5e7fc6be6890bc Simple magic sound. Made in fl studio. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Script, Reading, Voice https://freesound.org/people/gerudobombshell/sounds/264985/ Script Gerudobombshell Freesound.org https://freesound.org/ freesound_org_d7b5cf529e2024bc98fd88ff0a25029962d48b67 ./freesound/264985__gerudobombshell__script.flac flac d7b5cf529e2024bc98fd88ff0a25029962d48b67 Short script reading. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Soundscape, Clack, Bottle Cap, Metal, Ping, Outdoor, Stone https://freesound.org/people/sethlind/sounds/264986/ Household Sounds Bottle Cap Dropping On Slate Stone Outdoor Ambi Sethlind Freesound.org https://freesound.org/ freesound_org_9c0f7f07c44e1b732e010e5ce8015e2217572c37 ./freesound/264986__sethlind__bottle-cap-dropping-on-slate-stone-outdoor-ambi.flac flac 9c0f7f07c44e1b732e010e5ce8015e2217572c37 A beer bottle cap dropping onto the slate stone edge of my balcony. Some brooklyn street ambience audible in the background. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Crackling, Bonfire, Serbian Tree, Crackle, Sparks, Badnjak, Tree, Burn, Serbia, Fire https://freesound.org/people/vikend_ratnik/sounds/265034/ Badnjak Burns Vikend Ratnik Freesound.org https://freesound.org/ freesound_org_402921ebd2046eb1013b80385055d3e2e300f10f ./freesound/265034__vikend_ratnik__badnjak-burns.flac flac 402921ebd2046eb1013b80385055d3e2e300f10f 48khz 24bit. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Forest, Woodcutter, Drvose, Chopping, Wood, Drvo, Sekira, Cut https://freesound.org/people/vikend_ratnik/sounds/265035/ Woodcutter Vikend Ratnik Freesound.org https://freesound.org/ freesound_org_a5db92e4bf4f194ac038ddbc7b72e7e5ec970519 ./freesound/265035__vikend_ratnik__woodcutter.flac flac a5db92e4bf4f194ac038ddbc7b72e7e5ec970519 48khz 24bit. Public domain https://creativecommons.org/publicdomain/zero/1.0/ River, Potok, Water, Flow, Liquid, Stream https://freesound.org/people/vikend_ratnik/sounds/265036/ Strream (Potok) Vikend Ratnik Freesound.org https://freesound.org/ freesound_org_12da502c8b987996609f25579370c7906877ba68 ./freesound/265036__vikend_ratnik__strream-potok.flac flac 12da502c8b987996609f25579370c7906877ba68 48khz 24bit. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Breathing, Breathe, Breath https://freesound.org/people/therisingorder/sounds/265040/ Normal Soft Breathing Therisingorder Freesound.org https://freesound.org/ freesound_org_5a260cafc034c598d7f92f389cb3a54e690936a9 ./freesound/265040__therisingorder__normal-soft-breathing.flac flac 5a260cafc034c598d7f92f389cb3a54e690936a9 Just everyday restful breathing. Nothing heightened. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Games, Ping, Tennis, Pong, Table https://freesound.org/people/fattirewhitey/sounds/265041/ Ping Pong Sample Fattirewhitey Freesound.org https://freesound.org/ freesound_org_902c0a840da01d89f5ea928da8ea5dd3c300b005 ./freesound/265041__fattirewhitey__ping-pong-sample.flac flac 902c0a840da01d89f5ea928da8ea5dd3c300b005 Ping pong game with my 9-yr old. Neither of us speak or react though so it's fairly clean except for some ambient steps. Recorded with adobe audition cs6 in a carpeted basement using a akg c-214 condenser mic into a focusrite 2i2, feb. 24th, 2015. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Hit, Quick, Knocks, Slam, Front, Door, Impact https://freesound.org/people/rcproductions54/sounds/265044/ Door Knocking Rcproductions Freesound.org https://freesound.org/ freesound_org_e49ff4e085a9defc0c70fa0e927ee692512b8d33 ./freesound/265044__rcproductions54__door-knocking.flac flac e49ff4e085a9defc0c70fa0e927ee692512b8d33 Three quick front door knocks. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Drops, Exterior, Outside, Water, Rain, Light, Liquid, Trickle, Raining https://freesound.org/people/rcproductions54/sounds/265045/ Rain Drops Outside Rcproductions Freesound.org https://freesound.org/ freesound_org_27e689354820582678131d5fcc0832049d56ade0 ./freesound/265045__rcproductions54__rain-drops-outside.flac flac 27e689354820582678131d5fcc0832049d56ade0 Light trickling rain drops. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Rest, Stop, Request https://freesound.org/people/wadaltmon/sounds/265047/ Stop, Rest Wadaltmon Freesound.org https://freesound.org/ freesound_org_f3561ac73743cda7c74768ae1df8941c7aa77fa2 ./freesound/265047__wadaltmon__stop-rest.flac flac f3561ac73743cda7c74768ae1df8941c7aa77fa2 Stop and rest, for a request on the forums. With blue snowball mic in audacity, there was some noise i needed to remove. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Trailer, Cinematic, Epic, Strike, Metallic, Dragging, Hit, Shed, Squeek, Bang, Percussion, Machine, Factory, Clang, Zoom, Metal, Recorded, Rattle, Door, Industrial, Clank, Impact https://freesound.org/people/EpicWizard/sounds/264889/ Sfx Metal Shed Door Hits, Clangs, Rattle Epicwizard Freesound.org https://freesound.org/ freesound_org_74438f0a3e2f9b42899508a3a579aebf0c118d68 ./freesound/264889__epicwizard__sfx-metal-shed-door-hits-clangs-rattle.flac flac 74438f0a3e2f9b42899508a3a579aebf0c118d68 Multiple impacts and rattles obtained from my metal shed door. Recorded with zoom h4 mic. I used these sounds in my project that featured a large metal factory building manufacturing construction machinery (through heavy pitch shifting and bass sweetening). With some effects processing, these recordings can create great cinematic impacts and atmosphere. Markers inserted through audition to mark out some of the sounds i found particularly useful. Would love to hear what you use them in. If you enjoy my sounds, considering making a donation to say thanks and receive a 1. 6gb collection of recordings. Https://gum. Co/jfrzw. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Background Sound, Local, Soundscape, Ambience, Ambient, Background, Atmos, Wild, Recording, Park, Ambiance, Area, General Noise, Atmosphere, Sound https://freesound.org/people/rcproductions54/sounds/265046/ Local Park Sound Ambience Rcproductions Freesound.org https://freesound.org/ freesound_org_93273f82cfb0dd8607f465f9dadcf1d92308581b ./freesound/265046__rcproductions54__local-park-sound-ambience.flac flac 93273f82cfb0dd8607f465f9dadcf1d92308581b Area recording of a local park. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Practice, Acoustic, Guitar https://freesound.org/people/AriaTJU/sounds/265049/ Part Ariatju Freesound.org https://freesound.org/ freesound_org_e261232ebce0e7bb60d809480aa7cad22407d0b8 ./freesound/265049__ariatju__part4.mp3 mp3 e261232ebce0e7bb60d809480aa7cad22407d0b8 Uploaded for introduction to guitar class. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Practice, Acoustic, Guitar https://freesound.org/people/AriaTJU/sounds/265050/ Part Ariatju Freesound.org https://freesound.org/ freesound_org_f7d70e69c4bb6b7ae66741dd3fdbb975906f88b0 ./freesound/265050__ariatju__part3.mp3 mp3 f7d70e69c4bb6b7ae66741dd3fdbb975906f88b0 Uploaded for introduction to guitar class. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Practice, Acoustic, Guitar https://freesound.org/people/AriaTJU/sounds/265051/ Part Ariatju Freesound.org https://freesound.org/ freesound_org_cbcc610f60af002306cb2db849f2b65ee6270dd0 ./freesound/265051__ariatju__part2.mp3 mp3 cbcc610f60af002306cb2db849f2b65ee6270dd0 Uploaded for introduction to guitar class. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Loop, Synth, Drums, Music, Program, Bed, Keyboard https://freesound.org/people/gerudobombshell/sounds/265075/ Program Music Loop Gerudobombshell Freesound.org https://freesound.org/ freesound_org_8280d747b629783b15ea0e67e7933f111021508d ./freesound/265075__gerudobombshell__program-music-loop.flac flac 8280d747b629783b15ea0e67e7933f111021508d Small program music loop, made with waves element + mixes of kick & snare samples from fl studio and a hat noise made with a microphone and 'ssss' sounds. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Telephone, Dialing, Ptt https://freesound.org/people/Lupardy/sounds/265079/ Dialing Old Ptt T Telephone Nine Lupardy Freesound.org https://freesound.org/ freesound_org_84d07bedadeff7557e53b8e29bda4b579a1adcbb ./freesound/265079__lupardy__nine.flac flac 84d07bedadeff7557e53b8e29bda4b579a1adcbb Dailing figure 9 on an ptt t65 telephone. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Loop, Drum Loop, Oldschool, Funky, Loops, Hop, Hiphop, Beat, Untitled, Bpm, Classic, Beats, Drums, Drum, Percussion Loop, Groovy, Hip https://freesound.org/people/Dodgy%20C/sounds/265076/ Dodgy C Laid Back Loop Dodgy C Freesound.org https://freesound.org/ freesound_org_d67ebc32fda46eeb77b1e7423f1cf43c245ff4f6 ./freesound/265076__dodgy-c__dodgy_c_laid_back_loop.flac flac d67ebc32fda46eeb77b1e7423f1cf43c245ff4f6 A nice laid back old school hip hop loop!!!. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Background Sound, Gothic, Dramatic, Drama, Sinister, Thrill, Atmospheric, White Noise, Background, Atmo, Ambience, Game Music, Field Recording, Terror, Terrifying, Atmos, Phantom, Soundscape, Ambient, Suspense, Bogey, Ambiance, General Noise, Atmosphere https://freesound.org/people/pipnone/sounds/265077/ Heart Stop Pipnone Freesound.org https://freesound.org/ freesound_org_0028d4fbc5a0fddb2e4a5c464f3c2d1b248a4b5d ./freesound/265077__pipnone__heart-stop.mp3 mp3 0028d4fbc5a0fddb2e4a5c464f3c2d1b248a4b5d A sound i made in audacity becuase i was learning how to use it!. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Tascam, Thump, Computer, Desktop, Field Recorder, Beat, Vibration, Dr , Hit https://freesound.org/people/MrCalum/sounds/265103/ Desktop Thump Mrcalum Freesound.org https://freesound.org/ freesound_org_b1e7b24a02e5c716b94dc48d6dda88323998ae4e ./freesound/265103__mrcalum__desktop-thump.flac flac b1e7b24a02e5c716b94dc48d6dda88323998ae4e One take of an old desktop getting slammed by a human fist and creating a short vibration. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Croaking, Ribbet, Frogs, Nature, Field Recording, Animals https://freesound.org/people/madbob69/sounds/265107/ Frogs Frogs, A Few, Minimal Traffic Noise Madbob Freesound.org https://freesound.org/ freesound_org_94b927a319223c77b50a9e08e9f9a4ceccbb68db ./freesound/265107__madbob69__frogs-a-few-minimal-traffic-noise.flac flac 94b927a319223c77b50a9e08e9f9a4ceccbb68db This is a recording of a handful of frogs. It was recorded on a tascam dr-05 field recorder. There is a little bit of traffic noise in sections. Feel free to use this recording without attribution, enjoy!. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Pop, Click, Snap https://freesound.org/people/udoxas/sounds/265115/ Popping Udoxas Freesound.org https://freesound.org/ freesound_org_f8c881faed14cc6261886b82ff77d431490f921d ./freesound/265115__udoxas__popping.flac flac f8c881faed14cc6261886b82ff77d431490f921d A little pop sound. Took me like, 15 seconds to make, so no credit is required. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Ambient, Ventilation, Noise, Outside, Tascam, Heat, Duct, Dr , Field Recording, Airflow https://freesound.org/people/MrCalum/sounds/265104/ Heat Duct Mrcalum Freesound.org https://freesound.org/ freesound_org_6cda6337afac01f4f66ba872bd7bb992e454f037 ./freesound/265104__mrcalum__heat-duct.flac flac 6cda6337afac01f4f66ba872bd7bb992e454f037 The heat rolling out of its duct besides my sisters house in the quiet new forest. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Wind, Tascam, Dr , Field Recording, Porto, Clippedlife https://freesound.org/people/MrCalum/sounds/265105/ Dom Luís I Bridge Mrcalum Freesound.org https://freesound.org/ freesound_org_cb4552b866fc001999d301381a733f98030f00ce ./freesound/265105__mrcalum__dom-luis-i-bridge.flac flac cb4552b866fc001999d301381a733f98030f00ce Centre atop dom luís i bridge in porto, early june. Full blown clippin'. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Processed, Nightmare, Sound Effect, Strange, Effects, Horror, Sfx, Sci Fi, Drain, Siren, Reaction, Synthetic https://freesound.org/people/Pub_Nation/sounds/265120/ Melting Drain Pub Nation Freesound.org https://freesound.org/ freesound_org_6edbbfcc923336d8ac0ecabc16069991f88f6bd3 ./freesound/265120__pub_nation__melting_drain.flac flac 6edbbfcc923336d8ac0ecabc16069991f88f6bd3 Great melting sound effect or even used as a nightmare siren. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Bass, Loop, Lfo, Electro, Breakbeat, House, Reese, Dubstep, Techno, Free, Glitch Hop, Dub, Wobble, Dnb, Drum And Bass, Drum, Bassline, Sub, Low https://freesound.org/people/dubbwebb/sounds/265152/ Reesey Bass , Bpm, D Dubbwebb Freesound.org https://freesound.org/ freesound_org_ed055d5f4a176c4f5fc48ed8d3b8a0f27d84ac64 ./freesound/265152__dubbwebb__reesey-bass-2-90bpm-d.flac flac ed055d5f4a176c4f5fc48ed8d3b8a0f27d84ac64 Another reese tyoe bass at 90 bpm, in key of d. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Reese, Loop, Loud, Thick, Untitled, Low, Dubstep, Bass, Glitch, Smooth, Wobble, Beat, Dnb, Sub, Bpm, Heavy https://freesound.org/people/dubbwebb/sounds/265151/ Reesey Bass, Bpm, D Dubbwebb Freesound.org https://freesound.org/ freesound_org_2f5d6600c16079aa071b838c8f762cd76baa14be ./freesound/265151__dubbwebb__reesey-bass-90bpm-d.flac flac 2f5d6600c16079aa071b838c8f762cd76baa14be Reesey bass at 90bpm, in key of d. Was gathering dust on my hd. . . Maybe someone can make some use of it. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Roll, Snare, Acoustic, Percussion, Drum Roll, Drum https://freesound.org/people/lucianodato/sounds/265179/ Snare Roll Lucianodato Freesound.org https://freesound.org/ freesound_org_dd2be765404fd4e0321a7c3d77b06f70dbcbd7ef ./freesound/265179__lucianodato__snare-roll.flac flac dd2be765404fd4e0321a7c3d77b06f70dbcbd7ef Pearl rhythm traveler snare with practice nylon drumhead recorded with flat samsung s2 mic 20 cm away. Edited with audacity (clipfix-eq-rolloff). Public domain https://creativecommons.org/publicdomain/zero/1.0/ Rain, Thunderstorm, Thunder https://freesound.org/people/VPDavo/sounds/265119/ Sfyfd Rain And Thunder Verandah Vpdavo Freesound.org https://freesound.org/ freesound_org_54496a3df86f41f263afafac907bc52580a92ae1 ./freesound/265119__vpdavo__rain-and-thunder-verandah.flac flac 54496a3df86f41f263afafac907bc52580a92ae1 Rain and thunder from a veranda under tin roof. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Loop, Roll, Drum, Snare, Percussion https://freesound.org/people/lucianodato/sounds/265180/ Little Snare Roll Loop Lucianodato Freesound.org https://freesound.org/ freesound_org_3526916c4da00e85ee251d0554f23a39b7fc431a ./freesound/265180__lucianodato__little-snare-roll-loop.flac flac 3526916c4da00e85ee251d0554f23a39b7fc431a Pearl rhythm traveler snare with practice nylon drumhead recorded with flat samsung s2 mic 20 cm away. Edited with audacity (clipfix-eq-rolloff). Public domain https://creativecommons.org/publicdomain/zero/1.0/ Loop, Roll, Drum, Snare, Percussion https://freesound.org/people/lucianodato/sounds/265181/ Little Snare Roll Loop Lucianodato Freesound.org https://freesound.org/ freesound_org_5958a7e603e69c8c7e72032a5a8c186f2309a82a ./freesound/265181__lucianodato__little-snare-roll-loop-2.flac flac 5958a7e603e69c8c7e72032a5a8c186f2309a82a Pearl rhythm traveler snare with practice nylon drumhead recorded with flat samsung s2 mic 20 cm away. Edited with audacity (clipfix-eq-rolloff). Public domain https://creativecommons.org/publicdomain/zero/1.0/ Room Noise, Inside, House https://freesound.org/people/MikaF/sounds/265182/ Door Slam Mikaf Freesound.org https://freesound.org/ freesound_org_5d2efed62842d445b98fa6bd0af9c6a9bc07f454 ./freesound/265182__mikaf__door_slam.flac flac 5d2efed62842d445b98fa6bd0af9c6a9bc07f454 Slamming wooden door, changing distance, mike and side. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Off, Click, Acoustic, Press, Switch, Lamp, Button, Light, Tap, Short, Real https://freesound.org/people/simonjsounds/sounds/265183/ Clicks And Switches Clickswitch Simonjsounds Freesound.org https://freesound.org/ freesound_org_1673801535374fa4a320798847494e1e9ad9ef42 ./freesound/265183__simonjsounds__clickswitch-04.flac flac 1673801535374fa4a320798847494e1e9ad9ef42 Recorded with zoom recorder. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Sounddesign, Abstract, University, Academy, Effect, Kennedy, Sound https://freesound.org/people/juanmpabon/sounds/265208/ Kennedy Mv Juanmpabon Freesound.org https://freesound.org/ freesound_org_129c6e533e1693f53ab2bed1b2ba6f293a92b9a1 ./freesound/265208__juanmpabon__kennedy-mv.flac flac 129c6e533e1693f53ab2bed1b2ba6f293a92b9a1 Edit audio about president kennedy's speech. . Public domain https://creativecommons.org/publicdomain/zero/1.0/ Scfi, Electric, Hum https://freesound.org/people/xixishi/sounds/265210/ Hum Scfi Electric Hum Xixishi Freesound.org https://freesound.org/ freesound_org_c051a8a5c90fefb72008ece38b2a7e6e8d184be8 ./freesound/265210__xixishi__scfi_electric_hum_01.flac flac c051a8a5c90fefb72008ece38b2a7e6e8d184be8 Haha. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Custom, Dj Drop, Voiceover https://freesound.org/people/larryatthecoast/sounds/265219/ Djfright Larryatthecoast Freesound.org https://freesound.org/ freesound_org_59f6fd9959a27e959d5075de23e1bbfac8bdcf4a ./freesound/265219__larryatthecoast__djfright.mp3 mp3 59f6fd9959a27e959d5075de23e1bbfac8bdcf4a Dj drop per request. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Creepy, Haunted, Scary https://freesound.org/people/Master550gamer/sounds/265209/ Creepy Atmosphere Mastergamer Freesound.org https://freesound.org/ freesound_org_8ce93ac158a07b66f93ead00723d9b494ad7b9dd ./freesound/265209__master550gamer__creepy-atmosphere.flac flac 8ce93ac158a07b66f93ead00723d9b494ad7b9dd This is a creeoy sound perfect for the making of horror games that are based outside i imagine this could be used in an outside snowyrecemended for indie horror games. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Custom Drop, Dj Drop, Voiceover https://freesound.org/people/larryatthecoast/sounds/265220/ Djjustin Larryatthecoast Freesound.org https://freesound.org/ freesound_org_f7b75f6eae12d9393659249bb0e3d14c5c6bb39a ./freesound/265220__larryatthecoast__djjustin.mp3 mp3 f7b75f6eae12d9393659249bb0e3d14c5c6bb39a Custom dj drop per request. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Untitled https://freesound.org/people/--DeletedUser--/sounds/265222/ Celtic Harp D Deleteduser Freesound.org https://freesound.org/ freesound_org_c391792003ec2e248b279e7271f982194c4db947 ./freesound/265222__deleteduser__celtic-harp-d5.flac flac c391792003ec2e248b279e7271f982194c4db947 The harmonics have a linear progression, so that the sample can be easily transposed. Created with audacity and some different samples frommy collection. Public domain https://creativecommons.org/publicdomain/zero/1.0/ Voice, Politics, Human, Speech, Vocal, Spoken, Male, Communisem https://freesound.org/people/matze73/sounds/265224/ Communism Matze Freesound.org https://freesound.org/ freesound_org_ecb3136aa85feefac95f82500be0069c9a6d32fa ./freesound/265224__matze73__communism.flac flac ecb3136aa85feefac95f82500be0069c9a6d32fa As requestet here:http://freesound. Org/forum/sample-requests/36261/my recording of communism!"iam not shure if i pronounce it righthave fun.

1938 recording of "Die Stem van Suid-Afrika"Sonando desde nuestros cielos azules, Desde la base más profunda de nuestros océanos Sobre montañas eternas, Cuando los riscos resuenan, Desde nuestras llanuras donde, vagones crujientes, Cortan sus senderos en la tierra, Llama al espíritu de nuestro país, De la tierra que nos vio nacer. A tu llamada no vamos a fallar, Firmes y constantes compareceremos, A tu voluntad de vivir o morir, O Sudáfrica, tierra querida. En nuestro cuerpo y nuestro espíritu, En nuestro fuero interno se mantuvo firme; Y la gloria de nuestro pasado; En la promesa de nuestro futuro, En nuestra voluntad, nuestro trabajo, nuestro esfuerzo, Desde la cuna hasta la tumba No hay tierra que comparte nuestro amoroso, Y hay lazo que pueda esclavizar. Tú nos has dado y te hemos conocido, Que nuestras acciones a todos proclaman Nuestro amor perdurable y servicio Para tu honor y tu nombre. En el calor de oro del verano, En el frío del aire de invierno, En la vida surgiendo de la primavera, En el otoño de la desesperación; Cuando las campanas de boda repiquen, O cuando aquellos a quienes amamos personas sí, Tú nos la sabes de tus hijos Y dost llevarnos a tu corazón En voz alta repiques el coro contestador; Somos tus cosas, y vamos a estar de pie, Ya se trate de la vida o la muerte, para responder Para tu llamada, tierra amada. En tu poder, Todopoderoso, confiando, Hicieron nuestros padres construyen de edad; Fortalecer entonces, oh Señor, a sus hijos Para defenderse, de amar, de explotaciones Que la herencia que nos dieron Para nuestros niños aún pueden ser; Fiadores sólo a la más alta Y antes de que todo el mundo libre. Como nuestros padres confiaban humildemente, Enséñanos, Señor que confiar en ti todavía; Proteja nuestra tierra y guiar a nuestro pueblo En tu camino, para hacer tu voluntad.한국어: 남아프리카의 외침 1절 우리의 깊은 바다에서 출렁이는 파도 소리는 우리의 푸른 하늘에 울려 퍼지리라, 높은 산 위에서 바위산 끝까지 우리의 메아리가 울리리라. 우리의 먼 곳에 사람이 살지 않는 평원을 통해 무기와 황소의 신음을 함께 하리라. 우리의 사랑의 목소리는 남아프리카 공화국을 향해 커지리라. 우리는 너의 전화에 응답하리라. 우리는 당신이 원하는 것을 제공하리라. 우리는 남아프리카 공화국, 당신을 위해 우리는 죽을 것이다, 살 것이다. 2절 우리의 몸과 마음, 우리의 마음과 영혼은, 과거의 영광에서 우리의 희망이 되리라. 우리의 작품에는, 요람에서 무덤까지 다른 땅과 우리 사랑을 화합하지 않으리라. 다른 건 우리의 자신감이리. 국토 안보부여, 우리는 경의를 표하리. 우아한 너의 이름과 우리의 아프리카너가 최고이리라. 남아프리카 공화국의 아이들이여! 3절 여름의 더위와 겨울의 추위에 우리의 사랑의 봄과 우리 삶의 가을은 교회의 종이에서 나는 소리이리라. 요람의 발에서 우리는 당신의 목소리를 들으니 너는 네 딸이 어디 있는지 알고 있도다. 전화할때 우리는 거부하지 않는다. 영원히 우리와 연락하리라. 생명과 죽음이여, 우리는 남아프리카 공화국에 올 것이리! 4절 자신감에 전능한 우리의 선조는 주님, 우리에가 강을 주소서!라 외쳤으니, 지원을 유지하리라. 우리 조상의 땅, 우리 아이를 위해 영원한 하인들이여, 세계와 붙으리라. 우리 조상들이 믿음을 우리가 믿는 주님을 가르쳐, 우리의 땅과 우리 민족과 함께 당신의 유언대로 다스려라! 영어 한국어 번역 1절 우리의 깊은 바다에서 출렁이는 파도 소리는 우리의 푸른 하늘에 울려 퍼지리라, 높은 산 위에서 바위산 끝까지 우리의 메아리가 울리리라. 우리가 어느 평원에서 마차를 맞추었는가? 지구의 철도를 자르면, 우리나라의 정신과 통화하리라. 토지는 우리에게 탄생을 주었다. 그대는 우리가 주저하면 안된다는 것을 확고하고 우리가 확고하리라. 그대는 살거나 멸망하리라. 사랑하는 땅, 남아공이여! 2절 우리의 몸과 우리의 영혼에서, 우리의 가장 깊숙한 곳의 마음에 빨리 개최하리라. 그리고 우리의 과거의 영광을, 우리의 미래의 약속이 있으리라. 우리의 작품은 우리의 믿음으로 만들어진 것이리라. 무덤에 크래들에서, 그 주에는 우리의 사랑이 가득한 땅이, 끈끈이같은 자들은 정복하지 못하리라! 너의 젖먹이에 우리를 매개로, 우리는 그대를 알고, 매일 우리의 행동은 모든 선포에 우리의 영원한 사랑과 봉사는 명예와 너의 이름을 그대에게! 3절 뜨거운 여름의 향기와, 차가운 겨울의 기운, 따뜻한 봄의 집과 시원한 가을의 절망은 결혼의 종소리는 굴뚝에서 울리라. 우리가 떠나보내는 새 사람, 그대의 아이들의 마음은 우리를 데려가리라 커다란 종소리여, 우리는 그대가 있으며, 우리가 서한다던, 대답하리. 그대는 생명이냐 죽음이냐, 모르면 사랑하는 땅에 전화를! 4절 그대의 권력에서 전능한 신뢰는, 우리 조상들이 예전에 만들었는가? 사랑하는 변호를 잡으리. 주님의 아들은 강한 탓에 그들이 준 유산으로 우리는 행복하리라. 높은 곳의 보석은, 세상에 자유를 주리라. 우리 조상은 겸허하게 신뢰할 수 있는 것처럼 가르치는 우리 주님은 여전히 하느님을 믿는다. 우리는 우리의 사람과 땅을 안내하리. 우리의 아버지는 할 수 있도다!

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

Oy Chanukah performed by the Airmen of Note of the United States Air Force Band. Track 11 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S Text: I Nordens kalla isbetäckta dalar, var där en härjande en hungersnöd en sorglig röst i modrens hjärta talar ta dina barn, gå ut och sök dig bröd. Det yngsta barnet uppå ryggen hängde uti en påse gjord av rot och bast. Vid varje steg, det dinglade och slängde, men barnet höll sig tätt vid halsen fast. Dessutom tvenne hon vid handen leder[alt. ledde], så fromt och underligen, gård från gård. Ty hon om bröd blott för barnen beder[alt. bedde], vem kunde emot henne vara hård? Om kvällen kom hon till en riker bonde, hon bad att över natten få bli kvar. men han var stinn och inbillsk som hin onde: »För tiggarpack jag sällan nattro har.» Till prästgården vill hon när det bli kväller att där få vila över till andra dag men där var fullt av halvfulla gesäller som höllo pockande på vägalag. [Hon måste alltså åter ut att vandra till nästa by att där sitt härberg få.] När sedan bägge barnen börjar gråta, då lyfter hon dem upp på var sin arm. De frysa, ty av snön de blivit våta, hon klappar dem och värmer vid sin barm. [De lade alla fyra i en kista två fingo vila uppå var sin arm det tredje med, det yngsta och minsta man lade uppå modrens kalla barm.]

A voice recording of "Die Stem van Suid-Afrika".Sonando desde nuestros cielos azules, Desde la base más profunda de nuestros océanos Sobre montañas eternas, Cuando los riscos resuenan, Desde nuestras llanuras donde, vagones crujientes, Cortan sus senderos en la tierra, Llama al espíritu de nuestro país, De la tierra que nos vio nacer. A tu llamada no vamos a fallar, Firmes y constantes compareceremos, A tu voluntad de vivir o morir, O Sudáfrica, tierra querida. En nuestro cuerpo y nuestro espíritu, En nuestro fuero interno se mantuvo firme; Y la gloria de nuestro pasado; En la promesa de nuestro futuro, En nuestra voluntad, nuestro trabajo, nuestro esfuerzo, Desde la cuna hasta la tumba No hay tierra que comparte nuestro amoroso, Y hay lazo que pueda esclavizar. Tú nos has dado y te hemos conocido, Que nuestras acciones a todos proclaman Nuestro amor perdurable y servicio Para tu honor y tu nombre. En el calor de oro del verano, En el frío del aire de invierno, En la vida surgiendo de la primavera, En el otoño de la desesperación; Cuando las campanas de boda repiquen, O cuando aquellos a quienes amamos personas sí, Tú nos la sabes de tus hijos Y dost llevarnos a tu corazón En voz alta repiques el coro contestador; Somos tus cosas, y vamos a estar de pie, Ya se trate de la vida o la muerte, para responder Para tu llamada, tierra amada. En tu poder, Todopoderoso, confiando, Hicieron nuestros padres construyen de edad; Fortalecer entonces, oh Señor, a sus hijos Para defenderse, de amar, de explotaciones Que la herencia que nos dieron Para nuestros niños aún pueden ser; Fiadores sólo a la más alta Y antes de que todo el mundo libre. Como nuestros padres confiaban humildemente, Enséñanos, Señor que confiar en ti todavía; Proteja nuestra tierra y guiar a nuestro pueblo En tu camino, para hacer tu voluntad.한국어: 남아프리카의 외침 1절 우리의 깊은 바다에서 출렁이는 파도 소리는 우리의 푸른 하늘에 울려 퍼지리라, 높은 산 위에서 바위산 끝까지 우리의 메아리가 울리리라. 우리의 먼 곳에 사람이 살지 않는 평원을 통해 무기와 황소의 신음을 함께 하리라. 우리의 사랑의 목소리는 남아프리카 공화국을 향해 커지리라. 우리는 너의 전화에 응답하리라. 우리는 당신이 원하는 것을 제공하리라. 우리는 남아프리카 공화국, 당신을 위해 우리는 죽을 것이다, 살 것이다. 2절 우리의 몸과 마음, 우리의 마음과 영혼은, 과거의 영광에서 우리의 희망이 되리라. 우리의 작품에는, 요람에서 무덤까지 다른 땅과 우리 사랑을 화합하지 않으리라. 다른 건 우리의 자신감이리. 국토 안보부여, 우리는 경의를 표하리. 우아한 너의 이름과 우리의 아프리카너가 최고이리라. 남아프리카 공화국의 아이들이여! 3절 여름의 더위와 겨울의 추위에 우리의 사랑의 봄과 우리 삶의 가을은 교회의 종이에서 나는 소리이리라. 요람의 발에서 우리는 당신의 목소리를 들으니 너는 네 딸이 어디 있는지 알고 있도다. 전화할때 우리는 거부하지 않는다. 영원히 우리와 연락하리라. 생명과 죽음이여, 우리는 남아프리카 공화국에 올 것이리! 4절 자신감에 전능한 우리의 선조는 주님, 우리에가 강을 주소서!라 외쳤으니, 지원을 유지하리라. 우리 조상의 땅, 우리 아이를 위해 영원한 하인들이여, 세계와 붙으리라. 우리 조상들이 믿음을 우리가 믿는 주님을 가르쳐, 우리의 땅과 우리 민족과 함께 당신의 유언대로 다스려라! 영어 한국어 번역 1절 우리의 깊은 바다에서 출렁이는 파도 소리는 우리의 푸른 하늘에 울려 퍼지리라, 높은 산 위에서 바위산 끝까지 우리의 메아리가 울리리라. 우리가 어느 평원에서 마차를 맞추었는가? 지구의 철도를 자르면, 우리나라의 정신과 통화하리라. 토지는 우리에게 탄생을 주었다. 그대는 우리가 주저하면 안된다는 것을 확고하고 우리가 확고하리라. 그대는 살거나 멸망하리라. 사랑하는 땅, 남아공이여! 2절 우리의 몸과 우리의 영혼에서, 우리의 가장 깊숙한 곳의 마음에 빨리 개최하리라. 그리고 우리의 과거의 영광을, 우리의 미래의 약속이 있으리라. 우리의 작품은 우리의 믿음으로 만들어진 것이리라. 무덤에 크래들에서, 그 주에는 우리의 사랑이 가득한 땅이, 끈끈이같은 자들은 정복하지 못하리라! 너의 젖먹이에 우리를 매개로, 우리는 그대를 알고, 매일 우리의 행동은 모든 선포에 우리의 영원한 사랑과 봉사는 명예와 너의 이름을 그대에게! 3절 뜨거운 여름의 향기와, 차가운 겨울의 기운, 따뜻한 봄의 집과 시원한 가을의 절망은 결혼의 종소리는 굴뚝에서 울리라. 우리가 떠나보내는 새 사람, 그대의 아이들의 마음은 우리를 데려가리라 커다란 종소리여, 우리는 그대가 있으며, 우리가 서한다던, 대답하리. 그대는 생명이냐 죽음이냐, 모르면 사랑하는 땅에 전화를! 4절 그대의 권력에서 전능한 신뢰는, 우리 조상들이 예전에 만들었는가? 사랑하는 변호를 잡으리. 주님의 아들은 강한 탓에 그들이 준 유산으로 우리는 행복하리라. 높은 곳의 보석은, 세상에 자유를 주리라. 우리 조상은 겸허하게 신뢰할 수 있는 것처럼 가르치는 우리 주님은 여전히 하느님을 믿는다. 우리는 우리의 사람과 땅을 안내하리. 우리의 아버지는 할 수 있도다!

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Created from roughly 256 sounds in reaper by looping and batch actions. All sounds came from a folder of freesound cc0 sounds i've been collecting. Here is the file list if you are curious:. 103117__geronimo83__elephant. Mp3107216__keithpeter__birmingham-botanical-gardens-mains-hum-from-tannoy. Wav110456__sagetyrtle__wings-121110. Wav119161__reinsamba__110419-000-sheep-bleating. Wav120107__toc1__bird-wings. Aiff134025__danielrutterfilms__necksnap-build. Wav135506__chriddof__heavenly-computer. Wav14102__adcbicycle__15. Wav146558__john129pats__hybrid-monster-growl. Wav146957__zabuhailo__systemload. Wav151641__jamesmontour__8mm-film-camera. Aiff152317__logos-chroma__arp-odyssey-wind. Flac155800__mario1298__elevator-the-sixth-floor. Wav156522__timbre__retro-video-game-sweep. Flac165486__venaportae__wild-bees. Wav16793__pushtobreak__earth1. Aiff170761__esperar__bees. Mp3178995__beatproduction__emotional-string. Wav182110__qubodup__film-countdown. Flac184700__lloydevans09__spooky-love. Wav187373__shapeshifterd__wee. Wav188388__wubitog__mid-high-tone-button-click. Wav190504__fk-prod__baby-dinosaur. Mp3192155__hitrison__picking-at-a-giant-fan. Flac19433__heigh-hoo__drumroll. Aiff198367__blumo__beam-sequence. Wav200813__jotliner__quindar-tone. Mp3202876__augustsandberg__african-savanna-2. Wav204725__dneproman__trailer-end-4. Wav211870__tubbers__airplane-flyover. Mp3219943__qubodup__dragon-scream. Flac222528__queen-westeros__woman-scream. Wav234681__odilonmarcenaro__nash-point-foghorn. Wav235845__hermengarde__cartoon-spin. Mp3240134__richerlandtv__factory-atmosphere. Mp3240715__deleted-user-2906614__dragon-roar. Flac245381__davidthegreat14__film-score. Mp3248121__wjoojoo__lightning. Flac249686__cylon8472__cthulhu-growl. Wav253567__schafferdavid__cartoon-4. Wav253638__wolfey1923__scuttling-across-wood-floor-w-reverb. Wav255883__dontgothere__funny-cartoon-robot. Wav262755__bigpickle51__stereo-jet-landing-sample-2. Wav263967__scotcampbell__funny-evil-cartoon-voice-with-laugh. Wav264593__vacuumfan7072__cheap-tv-static. Mp3267584__schafferdavid__cartoon-8. Wav272037__aldenroth2__sipping-coffee. Wav277279__thiagoassis82terror__metal-gate. Wav288941__toefur__rat-squeak. Wav315768__bevibeldesign__dragon-growl-sad. Aiff316744__bird-man__big-splash. Wav320345__999999990__dino-hiss-dragon-roar. Wav329033__humanoide9000__coin-rolling-1. Wav330638__leonelmail__cloth-flapping-on-a-clothesline-thickly. Mp3330639__leonelmail__cloth-flapping-on-a-clothesline-gently. Mp3331134__maurolupo__rolling-coin. Wav331337__julius-galla__transmission-error-loop. Wav332711__amicasys__glitch. Wav333832__nick121087__demonic-woman-scream. Wav334980__paulocorona__office-ambient-sound. Wav335727__rolar-dnb__a-rain-thunder-lightning-close-cars-sirens-loop. Wav335889__yoyodaman234__wind-through-trees. Mp3340940__chesshunter__screech. Wav341610__pureaudioninja__electricity-2. Wav341612__pureaudioninja__electricity-4. Wav341666__jeremysykes__electricity00. Wav349693__drmaysta__cartoon-arrow-hit. Wav350965__e1ectr0n1cf4n__very-intense-hell. Mp3353416__squashy555__seagull-on-beach. Mp3353849__dtmp__alien-voice. Aiff354012__kingroyal__strings2. Wav354013__kingroyal__basss. Wav361564__matthewwong__ding-dong. Wav363169__samsterbirdies__hammering-on-anvil. Wav369859__splicesound__digital-computer-blips-and-pops. Wav369910__germanio__mug-hit. Wav371120__samsterbirdies__blast4. Wav371177__samsterbirdies__alert. Wav371290__mlppeace__foghorn. Mp3371603__jacksonmiller0__odd-glitch. Wav372181__amholma__ocean-noise-surf. Wav376708__fthgurdy__crinkling-dried-flowers. Wav37732__longhairman__1khz-1ds-peep. Wav380023__sapisvr__earbleed2. Wav380124__mia28portman__eagle. Ogg380397__avantdebris__botanical-gardens. Wav382444__omarie__waiting-4. Mp3382944__alancat__deepbreakers1a. Mp3382948__prim-ordial__blips-and-bloops. Wav383654__deleted-user-7146007__electricity. Wav389633__stubb__wing-flap-2 (1). Wav389633__stubb__wing-flap-2. Wav389634__stubb__wing-flap-1 (1). Wav389634__stubb__wing-flap-1. Wav393067__wakerone__electric-zap-electricity. Wav394592__asteroiderer__noise-cache. Wav394673__ihitokage__scary-old-rusty-gate-squeaking. Ogg395242__digpro120__wings-flapping. Mp3396678__dbspin__quiet-berlin-cafe-1. Wav397082__relwin__digitalradio-noise1. Wav398274__flashtrauma__electricity. Wav399272__cetsoundcrew__catapulted-animals. Wav399273__cetsoundcrew__cow-and-catapult. Wav406924__kyles__botanical-gardens-park-tropical-jungle-birds-crickets-flies-open-air-tone-entebbe-uganda-africa-2016. Wav409391__asteroiderer__wave-sequence. Wav411651__evanjones4__film-for-a-music. Wav411926__asteroiderer__sacrificial-summons. Wav412145__stefan021__film-projector-long-run-with-finish. Wav412429__florianreichelt__mysterious-accoustic-guitar-film-sound. Wav413680__asteroiderer__fidget-prop. Wav414818__bokal__office-chair-rolling. Mp3416873__simonlabelle__delicate-horse. Wav420728__claypipe__realitycoming. Mp3425787__thatkellytrna__wrinkle-bag. Wav428076__pschrandt__sad-blub. Wav432817__harlemdaw__happy-tune. Mp3435082__piwikiwi__film-tape. Wav435692__samsterbirdies__bbang. Ogg437968__craigsmith__g12-35a-eagle-cries. Wav438620__craigsmith__g39-03-cartoon-boings. Wav438932__vykroft__large-creature-vocals. Wav441966__detringer__glitch-1. Wav442773__qubodup__big-water-splash. Wav444241__asteroiderer__last-out. Wav44429__thecheeseman__hurt2. Wav444494__breviceps__cartoon-smoochy-squeak-plop. Wav445048__bassboybg__touchscreen-keyboard. Wav445117__breviceps__cartoon-splat. Wav445958__breviceps__cartoon-bat-mouse-squeak. Wav445960__breviceps__cartoon-duck-quack. Wav446930__sofial1224__20-suspiro-consolidated. Wav447458__florianreichelt__paper-money-sound. Wav448089__breviceps__zombies-eating. Wav448090__breviceps__theremin-horse. Wav448375__audionauten__robot-moves-his-arm. Wav448621__neilsher__ambient-creepy-soundscape. Mp3453388__breviceps__drifting-into-dreamland. Wav454259__kyles__tv-channel-change-static-blips-scanner-cb-radio-tuning-static-blips-static-sharp-scanner-cb-radio-blips-on-off-good2. Flac454476__asteroiderer__alduin-s-face. Wav454477__asteroiderer__alien-stalker. Wav454478__asteroiderer__tri-sci-fi. Wav454886__asteroiderer__longest-word. Wav455309__the-sacha-rush__empty-coffee-machine. Wav455906__jhennaside__dinosaur. Wav456246__tc630__terminal-velosity. Flac456761__sieuamthanh__ai-bang-con. Wav458627__tetrisrocker__clock. Wav458711__fabrizio84__waterfall. Mp3459573__dougbarrett123__cafe-recording-take-1-zoom0047-lr. Wav459983__florianreichelt__rain-water-dripping-softly. Mp3462889__mycompasstv__frogs-croaking-crickets-at-night-in-jungle-swamp-africa. Mp3462958__bastianhallo__cartoon-jump. Wav467882__samsterbirdies__beep-warning. Ogg468080__kinoton__seagull-swarm-at-port. Wav477643__richwise__foggy-morning-at-weston-shore. Wav479380__breviceps__dragon-several-roars-growls-and-snarls. Wav483473__nfsmaster821__owo. Wav483883__samsterbirdies__charge-up. Ogg485802__grez1__scream14. Mp3489999__deleted-user-8803593__elevator-music. Wav491407__samsterbirdies__jet-engine-startup. Flac492378__nicknamelarry__spaceship-take-off-sound-effect. Wav494497__pianofarm__farm-summer-ambience-07-09-2019. M4a495656__aunrea__dog-whimper-1. Wav495711__tosha73__strange-digital-noise-003. Wav495712__tosha73__strange-digital-noise-002. Wav495713__tosha73__strange-digital-noise-001. Wav500146__phonoflora__foghorn. Wav501328__asteroiderer__ballistic-travel. Wav502889__d592677__power-star-rumble. Wav504571__thebluerat__glinting-pitch. Wav504574__thebluerat__tone-sequence. Wav504575__thebluerat__polar-bell. Wav504598__thebluerat__effect1. Wav504600__thebluerat__erika-s-foot. Wav504608__thebluerat__liar-synth-black-background. Wav506157__sifujordan__big-splash. Wav507471__danjocross__long-distant-foghorn. Aiff507472__danjocross__great-echoing-foghorn. Aiff509440__claudiachaveslopes__teclado-sms. M4a511485__mlaudio__cartoon-wink-magic-sparkle. Wav512370__asdfgort__siren-2. Aiff512450__aemyn__empty-soda-can. Flac514234__nicknamelarry__sound-effect-flight. Wav514486__whammy__office-stamp. Wav515164__stuntstudio__1920s-style-cartoon-motif. Wav515293__breviceps__propeller-plane. Wav516895__shortrecord__horror-ambient-factory-2. Mp3516928__mariethompson__waterfall4. Mp3518037__rvgerxini__fan-motor. Mp3521967__kastenfrosch__megaphone-radio-gibberish-4. Ogg522567__samsterbirdies__horror-sting. Flac52284__trip2000__gun-shot. Aiff52760__heigh-hoo__drumroll-for-ceremony-long. Mp352780__guitarguy1985__data. Wav527845__d-jones__elephant-trumpets-growls. Flac529031__szegvari__storm-cave-reverb-fantasy-field-recording-200726-0021-01-01. Wav530078__snail-legs__flapping. Ogg531482__nataliabm09__oven. Wav533146__mattfinarelli__drop-water. Mp3535211__anaponce__typing. M4a537591__dauzkobza__beeps. M4a541506__se2001__cartoon-quick-zip. Wav541606__d4xx__stir-mug. Wav541664__mamie-wilhelm__mamie-gibberish-2. M4a541796__zoshp__telephone-ringing-digital. Wav544260__walthamstow-walker__a-bit-like-a-film-projector. Wav546391__dreeme__dragon-roar. Wav547016__neopolitansixth__classic-computing-sound. Wav556627__cookies-policy__power-switch-on. Wav563021__cookies-policy__water-puddle-splash. Wav564166__aemyn__crashing-starship. Flac565404__vineorange4__kskq. Aiff565405__vineorange4__falling-down. Aiff565411__vineorange4__mmcdona1-sound-17. Aiff565562__vineorange4__clap. Aiff565569__vineorange4__i-m-not-playing. Aiff565579__vineorange4__weirdsirentest. Aiff565580__vineorange4__eows612-1. Aiff565837__vineorange4__project2929. Wav568034__krotlitn__broken-radar. Wav569326__gosiives__pier-jismein-1. Wav569590__gosiives__siren-non-functional. Wav569598__gosiives__siren-start-deal. Wav569667__gosiives__untitled-327. Aiff569668__gosiives__untitled-326. Aiff569809__gosiives__. Aiff569811__gosiives__untitled-285-3. Aiff569823__gosiives__una. Aiff570622__canimalsozseries__movie. Aiff570781__canimalsozseries__city. Aiff570831__canimalsozseries__civil-defence-test. Aiff571117__canimalsozseries__file1717. Wav571544__monosfera__human-engine-02. Wav571974__soundmast123__monster-pain. Wav571977__soundmast123__monster-roar. Wav572276__rabbitglobe__alien-goose-call. Wav573684__lpsfriend123__canimals-oz-whispering. Aiff578523__samsterbirdies__birds-singing-dawn-chorus. Flac581151__chunaawchika09__goose-and-duck. Aiff581152__chunaawchika09__bored-goose. Aiff609250__aemyn__journey-to-the-interweb. Mp3613603__asdfgortazertoat__alien-data-voices. Aiff613604__asdfgortazertoat__alien-broke-67-watts. Wav613605__asdfgortazertoat__tmsd-2016-2018. Aiff613606__asdfgortazertoat__300-milkshake-rsvp-reverse. Wav613643__asdfgortazertoat__1-bits. Wav621004__samsterbirdies__scary-shrieking-monsters-in-a-cave. Ogg647288__deleteduser__scopophobia-images-with-uncanny-sounds. Aiff65428__gumballrimpoche__glitchys. Wav69570__bidone__lion-loud. Mp378674__joe93barlow__on0. Wav80401__steveygos93__explosion2. Wav81874__stevebob69__foghorn2. Wav82610__indigosierra__scribble. Mp385568__joelaudio__dragon-roar. Wav87785__graygaffer__ferry. Wav91555__polymorpheva__inside-tangara-syd. Mp393337__polymorpheva__cicadas-rbg. Wav.

What i hear in this sound is a crashing starship as you regain consciousness surrounded by chaos of the crew and emergency systems. At 00:52 there's a really cool explosion hit that fits the starship in danger vibe. Created from roughly 230 sounds in reaper by looping, batch actions and modulated filtering. All sounds came from a folder of freesound cc0 sounds i've been collecting. Here is the file list if you are curious:. 103117__geronimo83__elephant. Mp3107216__keithpeter__birmingham-botanical-gardens-mains-hum-from-tannoy. Wav110456__sagetyrtle__wings-121110. Wav116395__dean-raul-diarchangeli__tv-static. Wav120107__toc1__bird-wings. Aiff132843__cactus2003__creepy-ambience-background. Wav135506__chriddof__heavenly-computer. Wav138156__triad__hair-clippers-2. Wav14102__adcbicycle__15. Wav145094__crashoverride61088__whoosh-and-vacuum. Wav146957__zabuhailo__systemload. Wav151641__jamesmontour__8mm-film-camera. Aiff152317__logos-chroma__arp-odyssey-wind. Flac152455__dayvonjersen__long-sweep. Wav153277__gerardcatala__beating-wings-of-a-pigeon. Wav155800__mario1298__elevator-the-sixth-floor. Wav162493__tasmanianpower__vinyl-rewind. Wav165486__venaportae__wild-bees. Wav170761__esperar__bees. Mp3174278__voluntaryzonkey__horror-film-beep-sound. Mp3174718__paespedro__single-water-drop. Wav178995__beatproduction__emotional-string. Wav182110__qubodup__film-countdown. Flac187373__shapeshifterd__wee. Wav188197__splicesound__tv-television-on-off. Wav188388__wubitog__mid-high-tone-button-click. Wav192155__hitrison__picking-at-a-giant-fan. Flac194304__jmbphilmes__factory-machine-01. Wav19433__heigh-hoo__drumroll. Aiff195260__kayceemixer__fx-drone-kc-low-tone-mech-drone-pulse-tlspc-02. Wav198818__yuval__butterfly-wings. Wav202876__augustsandberg__african-savanna-2. Wav204725__dneproman__trailer-end-4. Wav211870__tubbers__airplane-flyover. Mp3234524__foolboymedia__notification-up-1. Wav235845__hermengarde__cartoon-spin. Mp3238251__steaq__dark-ambient-backgrounding-001. Wav240134__richerlandtv__factory-atmosphere. Mp3240476__godowan__wings. Wav242048__turrus__lightning-strike. Wav243011__tom-woysky__bees-in-hive-beehive. Wav243728__jarredgibb__drone-010. Wav244980__ani-music__wing-flap-flag-flapping-7a. Wav245381__davidthegreat14__film-score. Mp324795__reinsamba__scissors1. Wav248021__sophiehall3535__rusty-creak. Wav248121__wjoojoo__lightning. Flac249707__brunoboselli__paddles-rowing-on-a-calm-water-stream. Wav253567__schafferdavid__cartoon-4. Wav253638__wolfey1923__scuttling-across-wood-floor-w-reverb. Wav255883__dontgothere__funny-cartoon-robot. Wav259706__davidbain__fm-radio-tuning-sweep. Wav262755__bigpickle51__stereo-jet-landing-sample-2. Wav263892__jarredgibb__sub-rush-1. Wav263967__scotcampbell__funny-evil-cartoon-voice-with-laugh. Wav264442__geerose__harmonium-drone2. Flac264593__vacuumfan7072__cheap-tv-static. Mp3267584__schafferdavid__cartoon-8. Wav26785__walter-odington__hair-dressers-vision-london. Wav267899__chemicatz__air-rush. Wav269003__lwdickens__water-splash-2. Wav271531__rodincoil__disembarking-riverboat-crowd. Wav272037__aldenroth2__sipping-coffee. Wav277279__thiagoassis82terror__metal-gate. Wav277606__limitsnap-creations__phantom-train-lost-in-tunnel. Wav315768__benjaminharveydesign__dragon-growl-sad. Aiff315941__benjaminharveydesign__intercom-in. Aiff316744__bird-man__big-splash. Wav321905__bruce965__walkie-talkie-transmission-start. Flac329033__humanoide9000__coin-rolling-1. Wav330638__leonelmail__cloth-flapping-on-a-clothesline-thickly. Mp3330639__leonelmail__cloth-flapping-on-a-clothesline-gently. Mp3330644__devlab__rain-thunder-02. Wav331134__maurolupo__rolling-coin. Wav332711__amicasys__glitch. Wav334980__paulocorona__office-ambient-sound. Wav335727__rolar-dnb__a-rain-thunder-lightning-close-cars-sirens-loop. Wav335889__yoyodaman234__wind-through-trees. Mp3337813__blukotek__hammer-v4. Wav341612__pureaudioninja__electricity-4. Wav341666__sharesynth__electricity00. Wav345846__pcwvdmark__inside-a-traditional-dutch-windmill-2. Wav349693__drmaysta__cartoon-arrow-hit. Wav350960__nycct-sounddesign__printer-ja. Wav353416__squashy555__seagull-on-beach. Mp3353849__dtmp__alien-voice. Aiff353878__oldpueblo__beach-assorted-scenes-including-college-students-organizing-a-game-chattering. Flac353976__tec-studio__drone. Wav360775__dnlburnett__ambience-urban-park-evening-windy-trees. Wav369859__splicesound__digital-computer-blips-and-pops. Wav369910__germanio__mug-hit. Wav371290__mlppeace__foghorn. Mp3371603__jacksonmiller0__odd-glitch. Wav372181__amholma__ocean-noise-surf. Wav376708__fthgurdy__crinkling-dried-flowers. Wav377329__mystikuum__water-drops. Wav37732__longhairman__1khz-1ds-peep. Wav380124__mia28portman__eagle. Ogg380397__avantdebris__botanical-gardens. Wav380730__semenov-nick__00-car-across. Wav382444__omarie__waiting-4. Mp3382944__alancat__deepbreakers1a. Mp3382948__prim-ordial__blips-and-bloops. Wav383654__deleted-user-7146007__electricity. Wav386706__tommy-mooney__wings-flapping. Wav387551__stair__sweep. Wav387904__bajko__sfx-water-drops. Wav389633__stubb__wing-flap-2 (1). Wav389633__stubb__wing-flap-2. Wav389634__stubb__wing-flap-1 (1). Wav389634__stubb__wing-flap-1. Wav394673__ihitokage__scary-old-rusty-gate-squeaking. Ogg395242__digpro120__wings-flapping. Mp3396678__dbspin__quiet-berlin-cafe-1. Wav397082__relwin__digitalradio-noise1. Wav398274__flashtrauma__electricity. Wav402781__funwithsound__butterfly-wings-fluttering-1. Wav403934__mastermind76__car-indicator-toyota-aygo. Wav406924__kyles__botanical-gardens-park-tropical-jungle-birds-crickets-flies-open-air-tone-entebbe-uganda-africa-2016. Wav408592__miguelab1998__2-beating-of-wings. Wav411651__evanjones4__film-for-a-music. Wav412025__zachrau__typing-message-on-a-mobile-phone. Wav412145__stefan021__film-projector-long-run-with-finish. Wav412429__florianreichelt__mysterious-accoustic-guitar-film-sound. Wav414671__zouzmusic__short-pigeon-wing-flap. Wav414818__bokal__office-chair-rolling. Mp3416873__simonlabelle__delicate-horse. Wav420728__claypipe__realitycoming. Mp3425090__neospica__pressurized-door-opening. Wav425787__thatkellytrna__wrinkle-bag. Wav427822__asaphelps__filmsocialisme. Mp3432291__schmaddio__rusty-spring. Wav432817__harlemdaw__happy-tune. Mp3433584__jackmurrayofficial__car-starting-and-accelerating. Wav433977__joedozer__rusty-fan. Wav435082__piwikiwi__film-tape. Wav437968__craigsmith__g12-35a-eagle-cries. Wav438620__craigsmith__g39-03-cartoon-boings. Wav441622__danielajq__6-2-aleteo. Wav441966__detringer__glitch-1. Wav442773__qubodup__big-water-splash. Wav443061__schoggimousse__water-cave. Wav445048__bassboybg__touchscreen-keyboard. Wav445958__breviceps__cartoon-bat-mouse-squeak. Wav445960__breviceps__cartoon-duck-quack. Wav446930__sofial1224__20-suspiro-consolidated. Wav447458__florianreichelt__paper-money-sound. Wav448375__audionauten__robot-moves-his-arm. Wav448621__neilsher__ambient-creepy-soundscape. Mp3450042__kyles__phone-telephone-ring-office-nice-iconic-close-to-speaker. Wav452795__cloe-king__sweeping-on-carpet. Wav452931__kyles__crowd-int-crowded-small-theater-lobby-ifc1-nyc-usa. Flac454259__kyles__tv-channel-change-static-blips-scanner-cb-radio-tuning-static-blips-static-sharp-scanner-cb-radio-blips-on-off-good2. Flac455309__free-rush__empty-coffee-machine. Wav455385__thomasomas__recharge-sound. Wav456246__tc630__terminal-velosity. Flac456761__sieuamthanh__ai-bang-con. Wav457043__breviceps__busy-room-ambience-small-crowd-people-talking-in-background. Wav457438__samwd__flourescent-light. Wav458461__prometheus888__carengine. Wav458627__tetrisrocker__clock. Wav458711__fabrizio84__waterfall. Mp3459409__pfannkuchn__small-river-1-slow-close. Wav459573__dougbarrett123__cafe-recording-take-1-zoom0047-lr. Wav459983__florianreichelt__rain-water-dripping-softly. Mp3462462__soojay__seagulls-gaviotas-clean-wildtrack. Wav462889__mycompasstv__frogs-croaking-crickets-at-night-in-jungle-swamp-africa. Mp3462958__bastianhallo__cartoon-jump. Wav462959__lizapenelope__cafe-sounds. M4a464496__kaygrum__river. Wav468164__wintuh__36-corriendomadera. Wav468240__cristian-vogel__bees-around-flowers. Aiff477643__richwise__foggy-morning-at-weston-shore. Wav478306__magmi-soundtracks__creepy-classical-music-01. Wav479050__nuncaconoci__rusty-hatch. Wav484157__tempermode__fluorescent-light-flickering-1. Wav489999__deleted-user-8803593__elevator-music. Wav492378__nicknamelarry__spaceship-take-off-sound-effect. Wav494497__pianofarm__farm-summer-ambience-07-09-2019. M4a495656__aunrea__dog-whimper-1. Wav495711__tosha73__strange-digital-noise-003. Wav495712__tosha73__strange-digital-noise-002. Wav495713__tosha73__strange-digital-noise-001. Wav495795__priesjensen__car-driving-ambience. Wav500146__phonoflora__foghorn. Wav502657__justfornoise__old-film-projector. M4a502680__fission9__train-station-3. Wav503815__neezen__sweep. Wav506157__sifujordan__big-splash. Wav507081__paulprit__einarrson-fast-retrieve. Wav507088__paulprit__einarrson-slow-retrieve. Wav507471__danjocross__long-distant-foghorn. Aiff507472__danjocross__great-echoing-foghorn. Aiff509440__claudiachaveslopes__teclado-sms. M4a510917__lydmakeren__seagulls-short. Wav511485__mattleschuck__cartoon-wink-magic-sparkle. Wav514234__nicknamelarry__sound-effect-flight. Wav514486__whammy__office-stamp. Wav515164__stuntstudio__1920s-style-cartoon-motif. Wav515293__breviceps__propeller-plane. Wav516928__mariethompson__waterfall4. Mp3518037__rvgerxini__fan-motor. Mp3521967__kastenfrosch__megaphone-radio-gibberish-4. Ogg523016__tripjazz__lightning-discharge. Wav523399__cyoung510__waves-lapping. Wav524205__dylanh-sound__radio-sign-off. Wav524934__mc5__electrical-noise. Wav52780__guitarguy1985__data. Wav527845__d-jones__elephant-trumpets-growls. Flac529031__szegvari__storm-cave-reverb-fantasy-field-recording-200726-0021-01-01. Wav530078__snail-legs__flapping. Ogg531482__nataliabm09__oven. Wav533146__mattfinarelli__drop-water. Mp3535211__anaponce__typing. M4a541506__se2001__cartoon-quick-zip. Wav541606__d4xx__stir-mug. Wav541664__mamie-wilhelm__mamie-gibberish-2. M4a541796__zoshp__telephone-ringing-digital. Wav543111__clusman__bird-flapping-5. Wav544260__walthamstow-walker__a-bit-like-a-film-projector. Wav545611__bandslam33__wings-03. Wav545613__bandslam33__wings-04. Wav547016__neopolitansixth__classic-computing-sound. Wav551748__jpbillingsleyjr__finger-banging. Aiff65428__gumballrimpoche__glitchys. Wav69570__bidone__lion-loud. Mp382610__indigosierra__scribble. Mp385568__joelaudio__dragon-roar. Wav87785__graygaffer__ferry. Wav91555__polymorpheva__inside-tangara-syd. Mp391919__filipe-chagas__water-lapping-rocky-beach-ambiance. Wav93337__polymorpheva__cicadas-rbg. Wav.